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New Episodes On Fridays!

Join Ryan, Tanja and Tia as they explore and learn more about the life and lessons of a film artist.

Season 1
  • Season 1
  • Episode 16
  • Episode 15
  • Episode 14
  • Episode 13
  • Episode 12
  • Episode 11
  • Episode 10
  • Episode 9
  • Episode 8
  • Episode 7
  • Introducing FLIX
  • Episode 6
  • Episode 5
  • Episode 4
  • Episode 3
  • Episode 2
  • Episode 1
  • Richard Photo Lab Contest
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Episode 2

Film

Lightwalk

Big Whitey is in the house! This week Ryan, Tanja, and Tia explore an old abandoned barn in search of the 9 different types of light. Whether you are stuck in direct blinding sunlight, or you’re blessed with “Angels Singing” light- learn the best tricks for all kinds of lighting. Tanja and Tia have created creative and quirky names that make them easy to remember.

This episode is geared towards novice and advanced shooters alike. Sometimes we simply need to take a step back and look for the light.

Light Walk Students:

Billy Bowers

Gretchen Nishitani

Jeff Carter

Tara Pugmire

 

Model:

Katherine Mills

Ashley Southern

Assistant Producer:

Jolene Grizzle

Kam Galeazzi-Taylor

SPECIAL THANKS:

Jeff Hess: Barn Property Owner

Mike Fitch:  Realestate agent

Richard Photo Lab

Fujifilm

B&H Photo Video

Triple Scoop Music

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Comments

Homework

Gear Bag

Sponsor

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Glow light example

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Lorenzo

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Rush Hour

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Dancing in the sun

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Up the Nose Sunli…

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Young Monks

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Front yard ninja

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Family Genetics

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No Shave November

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Submissions

Rules

Framed Network

What is your favorite or least favorite light to shoot in? Is it In-Your-Face direct sunlight? We want to see how this Lightwalk has helped!

This week, we want you guys to step a little out of your comfort zone and challenge yourself to take what you learned today and apply it to your least favorite type of natural lighting. Upload your new photo in the Homework tab!
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Episode Gear

[F] Artist's Equipment

  • Leica MP

    35mm Rangefinder

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  • Leica 50mm Summicron

    Manual Focus Lens

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  • Leica 21mm Lens

    Super-Elmar-M f/ 3.4 ASPH

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  • Kodak Portra 160

    Sharp Imaging & Fine Grain

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  • Kodak Portra 800

    Professional Color Negative

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  • Kodak BW400CN

    Black & White Film

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  • Fujifilm Acros 100

    Black & White Print Film

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  • Kodak Tri-X

    Black & White Print Film

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  • Ilford Delta 3200

    Black & White Print Negative

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  • Fujifilm FC-100c

    Professional Instant Color

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  • Fujifilm 3000b Instant Film

    3.25 x 4.25″ Film Size

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  • Nikon F100 SLR

    5-Point Autofocus System

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  • Nikkor 17-25mm Lens

    Super Wide Angle

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  • Nikkor 50mm f/1.4

    Manual Focus Lens

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  • Nikkor 85mm f/1.4 Lens

    Great for Indoors & Outdoors

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  • Nikkor 105mm Macro f/2.8

    VR II Image Stabilization

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[F] Crew's Equipment

  • Canon EOS 60D

    1920 x 1080 HD Video Capture

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  • Canon EOS 7D

    High Sensitivity (ISO 12800)

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  • Canon EF-S 55-250mm

    Zoom Normal-Telephoto

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  • Canon EF-S 10-22mm

    For APS-C Digital SLR Cameras

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  • Canon EF-S 18-135mm

    Wide Zoom Range (29-216mm equiv)

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  • Canon EF-S 18-55mm

    Zoom Super Wide Angle

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  • Canon Normal EF 50mm

    High Performance Standard Lens

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  • Lensbaby Double Glass Optic

    Pre-installed Double Glass Optic

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  • Lensbaby 35 Optic

    35mm Selective Focus Optic

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  • Lensbaby Edge 80 Optic

    Adjustable Rounded 12-Blade Diaphragm

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  • Wireless Timer Remote

    ShutterBoss (Canon 3-pin connection)

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  • Zoom H4n Recorder

    Handy Mobile 4-Track Recorder

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  • Portable Microphone Preamp

    MM-1 Single Channel Preamp

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  • Aluminum Boompole

    K-Tek KE-89CC Avalon

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  • Shotgun Microphone Kit

    Rode NTG-2 Shotgun Microphone

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  • Universal Shock Mount

    Four-Point Silicone Suspension

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  • Aluminum Tripod Kit

    Manfrotto 190XB Black Tripod

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  • Micro Fluid Head

    200PL-14 Quick Release Plate

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  • Glidecam

    HD2000 Kit 3 Stabilizer System

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  • Glidetrack

    502HD 3/8″-16 Head/Base Kit

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Episode Gear

  • T&T Dynamite Workshops

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  • Leica MP

    35mm Rangefinder

    Framed Network Check it out
  • Leica 50mm Summicron

    Manual Focus Lens

    Framed Network Check it out
  • Leica 21mm Lens

    Super-Elmar-M f/ 3.4 ASPH

    Framed Network Check it out

Recent Comments

9 Comments

  • Ben Jacobsen

    Sooo good! Yet again, excellent job. I really feel like we all get to know the hosts better in this episode!

    May 18, 2012 at 12:32 pm

  • David Love

    That was fantastic…great work…thanks to ryan, tia, and tanya…for sure will be watching every friday.

    May 18, 2012 at 12:50 pm

  • Jolene Grizzle

    LOVE LOVE LOVE

    May 18, 2012 at 12:51 pm

  • Nena Earl

    SOOOOO GOOD! Loved this episode!

    May 19, 2012 at 9:32 am

  • Kyle Bromley

    Finally someone that speaks my language, FILM! Since Tanya got me thinking film again on her first show she did I’ve been kinda scared of it. (Funny part was I used to shoot ALL on kodachrome) Slowly I’m grabbing my D700 less, and loading up the Portra more!

    May 23, 2012 at 11:54 am

  • Fritz Yap

    love this episode…. very fun way of explaining light…. learned a whole bunch! thanks guys!

    May 26, 2012 at 7:01 am

  • jasonblakefoto

    SOOOOOOOOO GOOD!!! GUYS THIS IS SO HELPFUL; MANY MANY THANKS!! X

    July 8, 2012 at 6:28 am

  • Cara

    I can see myself watching this many times!

    August 4, 2012 at 5:02 pm

  • wurmparty

    i got a quick question
    when ryan says that he is overexposing a couple of stops (11.57 min) to get that “glow” look ist he talking about average or spot metering?
    as far as i do not own a light meter i find this pretty hard to understand

    April 7, 2013 at 10:08 am

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